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We are the Band on the Stand
Big James "If It Wasn't 4 Da Blues" Reviews Within hearing the first few seconds of the title track, you know this is an
experienced band rich in the rough, funky, soul/blues sound of Chicago's
nontourist blues clubs. The autobiographical tune sheds insight into the Big
man and his love for the blues. Check out lyrics like: 'I'm not well to do,
if it wasn't 4 da' blues, I don't know what I'd do'. Guitarist Mike Wheeler
plays a sweet solo with the smoothness of Buddy Guy and the heaviness of
Albert King. The brass section of Big James, Kimble and guest Kenny Anderson
(trumpet) harmonizes creating a pulsating rhythm on "Da' Coldest Man I Ever
Knew". Then they create a full, joyful sound on "Never Loved Any 1 Like U".
Big James throws some depth and rasp into his voice on "Low Down Dirty Blues"
in order to keep up with the incredibly heavy sounding horns. On this track,
Joe Blocker performs an excellent solo on the keys.
"I Like Your Style" is a shaking your booty tune that is guaranteed to have
the dance floor packed. The lyrics contain classic lines such as: 'You're
like Juicy Fruit, you sweet, sticky thing'. Vocally, "8 Men, 4 Women", is the
highlight of the CD. Here, Montgomery sings with so much conviction, you'll
swear he is singing about his own trial. "A Happy Fool" features a catchy
beat with solid drumming from Cleo Cole. However, the attractive and
invitingly infectious rhythm comes from CC's bass. "Da' Best Love I never
Had" is a beautiful ballad which gives the band a chance to energize for the
horn onslaught that follows on the closing track. Before the traditional
gospel song, "I'm Goin' Home (2 Live With God)", concludes you will find
yourself: turning up the volume, shouting out the chorus and organizing a
Pentecostal revival.
It may be James' disc but you get far more than the trombone master's solos.
Throughout the 60 minute disc, he gives the Playboys ample opportunity to
deliver their goods. If you don't know now you know that these guys have the
freshest sound in the blues today. In his liner notes, Michael Wojcik
states, 'they are so tight that even dynamite couldn't blow their groove
apart'. This one is simply funkin' excellent.
For CDs and information, visit www.bigjames.com or This review is copyright @2001 by Tim Holek, and Blues On Stage, Blues Review Magazine Issue No. 69 Jul/Aug 2001
Page 77 Review By Keith A. Mulhare The title track is a rhythmically flowing, smooth blues where the
heaviness of Montgomery's vocals balance the soulful horn accents and Mike
Wheeler's unadorned guitar melodies. Soul melds into a funk groove on "Never
Loved Anyone Like You," where a tightly tuned piccolo snare drum adds a
modern pop to the backbeat. Best blues on the disc is the spirited
seven-and-a-half-minute rendition of B.B. King's "Chains and Things." King's
original downtempo, eighth-note-driven lament is transformed into an open,
richly textured arrangement by the full instrumentation. The Chicago Playboys
reveal strong funk roots on " A Happy Fool." Montgomery approaches his music
with a well-packed gag, and the variety of influence works well on If It
Wasn't 4 Da' Blues. Keith A. Mulhare
Living Blues Magazine
Issue 157 Volume 32 no.3
May - June 2001 Page 54 Review By Jim DeKoster
Big James & The Chicago Playboys
"If It Wasn't 4 Da' Blues"
Six of the eleven tracks on offer are Montgomery originals, beginning with the raw,
edgy title track and continuing through a rousing tribute to his father on Da
Coldest Man I Ever Knew, the prototypical Chicago R&B flag-waver Never Loved
Any 1 Like U, a percolating funk groove on Happy Fool, the aptly titled Low
Down Dirty Blues and a more atmospheric slow number, Da Best Love I Never
Had. Montgomery covers some of his main inspirations - Lee Shot Williams (I
Like Your Style), King (Chains & Things), and George Clinton (Qualified 2
Satisfy) and the man who may have been the deepest soul singer of them all,
O.V. Wright (Eight Men, Four Women) and the soul-searing I'm Going Home (To
Live With God). This CD joins its predecessor among the essential Chicago
blues releases of the last several years.
.....album is satisfying in it's own way,...the youngblood fire of Big James
provides strong proof that the blues horn is far from dead. Chicago Sun - Times
Showcase Sec. Pg. 11D The South Sider, who has backed Otis Rush, Buddy Guy, Albert King and
Little Milton during his relatively brief career, can belt out a P-Funk cover
with the same conviction he displays on a traditional gospel number. But the
passion just pours from the speakers when he sings the blues, for which he
confesses his love on the self-penned title track and shows his affinity for
throughout "If It Wasn't 4 Da Blues." - Jeff Johnson
Among the handful of local blues bands that formed in and made it through
the 90's, one of the best is a group billed as Big James & The Chicago
Playboys.
The first time I caught their set was in January 1993. I remember the
occasion because in the house that night was blues legend Otis Rush, Midway
through the first set, James called Otis to the stage, and not more than five
minutes later, what was shaping up to be an entertaining evening became a
truly unforgettable one.
In the years since, I've made it a point to check in on Big James and his
crew. And I'm happy to report that today, we're treated to a band so rock
solid, that dynamite couldn't blow it's groove apart. Yet while the group
awaits major league fame, we're not left hangin', because If It Wasn't 4 Da'
Blues, the band's sophomore CD is now on the street.
As a horn based band, Big James & The Chicago Playboys have a wide
spectrum of influences to call on. On the band's first release, "Funkin'
Blues," the listener had a choice between funk and soul material. On the new
side, James' deep, slightly raspy, voice belts out a number of heavy blues
cuts along with some serious funk/soul tunes.
The blues tracks include the title cut and a cover of the B.B.King classic
, "Chains & Things," as well as Big James penned "Low Down Dirty Blues." The
crossover material is represented by the O.V.Right gem, "8Men,4Women," and
another original composition "Best Love I Never Had."
Then there's the funk, It's the sound that built this band, and it's the
force that's destined to lift it to higher ground. While a funk vibe is
never not present on this disc, it's showcased on "The Coldest Man I Ever
Knew," and followed by a nice reading of the Funkadelic masterpiece,
"Qualified To Satisfy."
No matter which of these three music styles you like best, if it's a
beefy horn section that you like most, then If It Wasn't 4 Da' Blues is a
disc for you. This is a soul-blues album delivered with sincerity from a
band steeped in the best tradition of the music.
Editor's Note:
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